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“It was there that his earliest compositions were first tried out and discussed and it was there that I was surprised by the dedication of the “Liedler,” which was handed over to me. 46 (Festetics Quartet)Ī fellow student, Josef Kenner, remembered the extraordinary times in the freezing cold piano room at the Imperial College. Schubert never really had command of a foreign language, but he intuitively seemed to have grasped the musicality, syntax and dramatic possibilities of the Italian language.įranz Schubert: String Quartet No. He gave him a number of Italian texts by Pietro Metastasio as homework assignments.

40 in G minor and Beethoven’s Second Symphony made a particularly strong impression on Schubert.” Schubert also received permission to take formal theory lessons from Antonio Salieri, who quickly realized that he was looking at an exceptional talent. According to a friend, “Mozart’s Symphony No. Playing in the second violins section, Schubert became acquainted with the orchestral works of Haydn, Mozart and early Beethoven.

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His acceptance into Vienna’s principle boarding school for non-aristocrats came with free tuition and board, and “his best possible opportunity for a quality education.” Music played an important role in the lives and education of the 130 boy-students, and Schubert was soon invited to join the student orchestra. Schubert auditioned for Antonio Salieri in 1808, and on his recommendation became a chorister in the Imperial and Royal City College. Schubert Geburtshaus, Exhibition view © Lisa Rastl/Wien Museum

Franz schubert